It's a Hit
It's a Hit
The FX series' creator Taffy Brodesser-Akner tells IndieWire she was not sure her Emmy-nominated work had found an audience until there were articles being written about its effect on viewers.
"It made the non-Predator aspects of our film even stronger, so it just felt like ‘We gotta hold out. This should be a Predator movie,'" said the filmmaker about his Emmy-nominated film.
"Wednesday" creators Al Gough and Miles Millar go deep on the hurdles toward making the Tim Burton-helmed hit: "If we don't get the right Wednesday, we're dead in the water.”
Creators Robert Siegel and D.V. DeVincentis tell IndieWire about how the #MeToo movement added new relevance to the already-in-the-works show.
The twin showrunners of the blockbuster Netflix series tell IndieWire why they're feeling more encouraged about their brand of storytelling.
Meyers and executive producer Mike Shoemaker tell IndieWire about the growing "Corrections" fandom, the joys of a versatile writing staff, and... bees.
"Larry's the only person on the planet who doesn't think he'll come up with more good ideas," "Curb" showrunner Jeff Schaffer tells IndieWire.
Creator Molly Smith Metzler shares with IndieWire her favorite mark of the series' impact and why people still tell her they're "sparkly."
Creator Dan Erickson tells IndieWire all about the development, working with Ben Stiller, and the Music Dance Experience.
"Bridgerton" S2 brings back a "world of excess decadence and beauty and glamor," showrunner Chris Van Dusen tells IndieWire.
Showrunner and co-creator John Hoffman knew that first moment of Charles, Oliver, and Mabel in the same cramped space had to fulfill and subvert expectations all at once.
Brunson tells IndieWire she knew her show was a hit when "Abbott Elementary" got a No Context page on Twitter.
