“We've got to know where we came from in order to get where we want to go, and there's no doubt that Maureen knows where she is headed! You can absolutely feel the passion in every word she speaks, whether in person or on paper, and Black Diamond Queens is no exception.” — Quincy Jones
“I thought I knew the stories of the women who populate this stellar revisioning of rock and roll history. Now I realize how much I had to learn. A revolutionary read that should chasten rock historians and will delight anyone who wants the full picture of how black women shaped a culture that pushed them to the side and how they survived.” — Ann Powers, author of Good Booty: Love and Sex, Black and White, Body and Soul in American Music
"... Mahon has done plenty to expose how Black women rockers have been marginalized by musicians, audiences, historians, and critics. A well-researched, sociologically savvy effort to expand the rock canon." — Kirkus Reviews
“The book that's poised to set rock history free. Maureen Mahon's Black Diamond Queens sets the record straight by offering a meticulously detailed study of the ways in which Black women musicians and entertainers played pivotal roles in the birth of the genre and fearlessly revolutionized the form. Essential reading for anyone who cares about popular music culture.” — Daphne A. Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
Starred Review. "With depth and breadth, Mahon’s work centers the many African American women who heavily influence rock and roll, from LaVern Baker to Tina Turner. Rock and roll emerged neither from a vacuum nor from the minds of white, male performers alone. Mahon’s comprehensive research and intelligent thinking are captured in her compelling writing." — Emily Dziuban, Booklist
"If you are curious about music and its development across genres or would like more examples of Black women’s exquisite impact on every aspect of life, Black Diamond Queens is for you. You won’t find many of these queens on the walls of the Rock and Roll Hall of Fame or in canonical texts discussing the origins of rock and roll. Still, crucially and inspiringly, you might see yourself in this group of Black women whose manicured fingers are all over rock and roll. At the very least, you will be exposed to some incredible new songs." — Briana Spivey, Women's Review of Books
"A rare gem. . . . this meticulously researched book is a key entry in the ongoing record-correction of 20th-century popular music history, one that recenters women, and most crucially, women of color. . . . The collective telling of their complex stories, within an intersectional feminist framework, is the kind of illuminating scholarship that rock really needs." — Jillian Mapes, Pitchfork
"As I read each page of Black Diamond Queens, learning about the Black women who contributed to not only the sound but the ethos of rock and roll, I felt like I was also learning about myself. In the end, the stories felt less like a permission slip to feel at home in a genre I most resonate with, but a reminder that, like these women, I should never feel the need to ask for permission at all." — Erica Campbell, UPROXX
"Black Diamond Queens does what the best music books do: It urges us to play this music again — or for the first time — and to listen to it. Mahon’s brilliant book repays careful reading and challenges us to think anew about the history of rock and roll and the ways we might have traditionally understood it." — Henry Carrigan, No Depression
"[H]ighly recommended for anyone who is interested in deepening their knowledge of the legacies and profoundness of Black women in music.' — Jordannah Elizabeth, Amsterdam News
"This monograph is not only a welcome addition to works on genre, gender, and race but contributes a unique insight into Black-middle-class respectability politics in twentieth-century America. Black Diamond Queens is a great jumping-off point for contemporary Black feminist theorists, musicologically trained or not. Mahon has gifted scholars with a mantle, leaving room for others to take it up and continue the work of re-storing music history through the investigation of race, gender, and genre." — Larissa A. Irizarry, Notes
"Mahon’s use of contemporaneous accounts, interviews, and illustrations contributes immensely to 'setting the record straight' regarding the impact, role, and significance of a group of historic figures often subverted by a male-dominated record industry and largely overlooked in the standard literature on the evolution of rock 'n' roll. Recommended. Lower-division undergraduates through faculty and professionals; general readers." — D. V. Moskowitz, Choice
"Maureen Mahon’s work shines a light on those Black women who should have always been part of the historical narrative, and whose contributions to the genre are significant and helped shape the history of rock and roll. The introduction alone should be required reading for rock scholars, as Mahon deftly explores the landscape of the marginalization of Black musicians during much of the 20th century." — Stephanie Bonjack, Music Reference Services Quarterly
"Rich, engrossing, and profoundly important. . . . Black Diamond Queens offers a long-overdue correction of the rock and roll historical record. And the final verdict? Black women rock." — Kimberly Mack, Journal of Popular Music Studies