Mattia D'Acri
University of Missouri-Columbia, Classics, Archaeology & Religion, Graduate Student
- Bronze and Iron Ages in Italy (Archaeology), Ethnoarchaeology, Etruscan studies, Mario Torelli, Archaeology of pre-Roman Italy, Etruscan Religion, and 89 moreArchaeology of Magna Graecia and Sicily, Archaeology, Greek Colonisation, Protohistory, Archaic Italy, Call for Papers, Etruscan pottery, Classical Archaeology, Archaeology of Mediterranean Trade, Etruscan Archaeology, Mediterranean archaeology, Phoenician Punic Archaeology, Carthage, Punic Pottery, Mediterranean archaeology, Phoenician Punic Archaeology, Punic world and Punic Archaeology, Phoenician and Punic Studies, archaeology of Sardinia in phoenician age, Phoenician sanctuary, Greek colonies in Magna Graecia, Santuari Etruschi, Protostoria Europea, Archeologia, Mitologia, Iconografia, Iconologia, Persefone, Demetra, Storia Dellarte, Piazza Armerina, Venere, Enna, Afrodite, Morgantina, Aidone, Acroliti, Akrolithos, Pergusa, Scultura Greca, Cultura Siciliota, Statue Composite, Madonna Delle Vittorie, Greek Colonization (Magna Graecia and Sicily), Ceramica a Vernice Rossa, Roman Pottery, Athenian black-figure pottery, Etruscan and Corinthian Pottery, Small votive bronzes (Etruscan and Italic cultures), Etruscan and pre-Roman archaeology, Early Rome, Latium vetus, Orientalising Period in pre-Roman Italy, Ancient myth and religion, Archaeology of Religion, Ancient Religion, Corinthian pottery, East Greek Pottery, Etruscology, Preistoria e protostoria, Archeologia Romana, Archeologia Dell'etruria, Landscape Archaeology, Roman History, Archeologia, Roman Architecture and Urbanism, Roman Amphorae, Late Roman Amphorae, Archaeology of Magna Grecia, Topography, Methodology of Archeological Research, Battista Sangineto, Phoenicians, Il vino e l armonia dei paesaggi agrari dei brutti, Anthropology, Ancient History, Classics, Prehistoric Archaeology, Material Culture Studies, Archaeological Method & Theory, Funerary Archaeology, Greek Archaeology, Ancient economies (Archaeology), Pottery (Archaeology), Iron Age, Eta del ferro e orientalizzante, Francavilla Marittima, Greek sanctuaries, Votive offerings, Terracotta Figurines, Archaeology of Southern Italy, Ancient Mediterranean Religions, Greek Colonies In Southern Italy, Euboeans, Ex-Voto, Eretria, Lefkandi, Matt-Painted Pottery, Gilda Bartoloni, Euboea, Archeologia della Magna Grecia, Phoenician trade, Fidenae, Gabii, Ceramica Attica, Ceramica Attica a Figure Nere, Roman Archaeology, Pithekoussai, Torre Castelluccia (Pulsano, TA), Etruschi, Etruscan, Orientalizing Period (art & archaeology), Bucchero, and Marxism & Archaeologyedit
- Prof. Marcello Mogettaedit
Paper in L. Banducci, M. D'Acri, "Gabii Through its Artefacts", Archaeopress 2023, pp. 10-17.
https://www.archaeopress.com/Archaeopress/Products/9781803276045
https://www.archaeopress.com/Archaeopress/Products/9781803276045
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Il contributo analizza una particolare serie di materiali che potrebbe aiutare a chiarire alcuni aspetti del commercio e degli scambi in età arcaica: si tratta di riproduzioni di un personaggio scultoreo del Geneleos group di Samo, sito... more
Il contributo analizza una particolare serie di materiali che potrebbe aiutare a chiarire alcuni aspetti del commercio e degli scambi in età arcaica: si tratta di riproduzioni di un personaggio scultoreo del Geneleos group di Samo, sito che fu, non a caso, uno dei centri economicamente più attivi della Grecia orientale. Questi oggetti sono presenti anche nei siti etruschi e italici, come due balsamari realizzati a matrice e attestati a Sant’Omobono e Gravisca. La produzione di questi oggetti e il ritrovamento in contesti specifici legati al sacro e al commercio, suggeriscono una loro possibile funzione simbolica. Una possibile interpretazione suggerisce infatti come questa categoria di beni non era una semplice merce ma, poteva essere utilizzata come strumento attivo durante gli scambi.
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In P. Brocato, N. Terrenato (eds.), Nuovi studi sulla Regia di Roma, Cosenza 2017. ISBN: 978-88-6822-509-4.
Research Interests: Archaeology, Classical Archaeology, Classics, Roman History, Pottery (Archaeology), and 16 moreCeramics (Ceramics), Death and Burial (Archaeology), Roman Pottery, Ceramics (Archaeology), Burial Practices (Archaeology), Etruscan Archaeology, Archeologia, Etruscology, Ceramics, Etruscan studies, Archaeology of death and burial, Burial Customs, Etruscan and pre-Roman archaeology, Etruscologia, Roman Archaeology, and Archeology
In P. Brocato, N. Terrenato (eds.), Nuovi studi sulla Regia di Roma, Cosenza 2017. ISBN: 978-88-6822-509-4.
This paper introduces the pottery from one of the trenches (Brown's excavations) from the Roman Regia.
This paper introduces the pottery from one of the trenches (Brown's excavations) from the Roman Regia.
Research Interests: Archaeology, Classical Archaeology, Roman History, Pottery (Archaeology), Ceramics (Archaeology), and 10 moreEtruscan Archaeology, Archeologia, Etruscology, Arqueología romana / Roman archeology, Archeologia Classica, Archeologia Romana, Etruscan and pre-Roman archaeology, Roman Forums, Roman Archaeology, and Archeology
This paper provides a comprehensive analysis of the ceramic material from the excavations at Palazzo Canevari in Rome, with a particular focus on the Archaic period. It also offers some preliminary insights into the assemblage related to... more
This paper provides a comprehensive analysis of the ceramic material from the excavations at Palazzo Canevari in Rome, with a particular focus on the Archaic period. It also offers some preliminary insights into the assemblage related to the construction of the temple. In previous publications on this site, ceramics have played a marginal role, with only a few fragments presented and used for stratigraphic dating purposes. This paper, on the other hand, aims to provide a comprehensive overview of the ceramic production at the site, including all the ceramic classes of the Archaic period: Impasto Bruno, Impasto Rosso, Impasto Rosso-Bruno, Impasto Chiaro-Sabbioso, Bucchero, and Fine Ware. Each ceramic class will be presented in detail, with an overview of production trends and typologies using a traditional ceramic approach, taking into account quantitative and qualitative data. In addition, the results of neutron activation analysis (NAA) conducted on 37 samples from the site will be presented. The NAA data provides new insights into the composition and provenance of ceramics, which are used to compare the assemblages from Palazzo Canevari with other Roman and Latin contexts. Furthermore, the presentation of the diagnostics related to the construction of the temple will provide a chronology of its construction.
This paper is significant for two reasons. First, it provides the first comprehensive overview of ceramic production at Palazzo Canevari during the Archaic period, enhanced by NAA results. Second, it defines the chronology of the construction of the temple. The findings of this paper have implications for understanding the ceramic production in the Archaic period, and for interpreting the archaeological context not only within Palazzo Canevari but for the whole region.
This paper is significant for two reasons. First, it provides the first comprehensive overview of ceramic production at Palazzo Canevari during the Archaic period, enhanced by NAA results. Second, it defines the chronology of the construction of the temple. The findings of this paper have implications for understanding the ceramic production in the Archaic period, and for interpreting the archaeological context not only within Palazzo Canevari but for the whole region.
Research Interests:
The Torre Mordillo Archaeological Project is a long-term research program of multidisciplinary investigations on the site of the rich archaeological heritage of Torre Mordillo (Spezzano Albanese municipality), an indigenous settlement in... more
The Torre Mordillo Archaeological Project is a long-term research program of multidisciplinary investigations on the site of the rich archaeological heritage of Torre Mordillo (Spezzano Albanese municipality), an indigenous settlement in southern Italy situated near the coastal city of Sybaris and occupied from the 2nd millennium BCE until the 3rd c. BCE. The site’s strategic location close to natural routes that connected the inland areas with the coast and its long sequence of occupation makes Torre Mordillo a privileged site to illuminate the dynamics of interaction between the Greeks and the local communities of southern Italy and the way new cultural entities and identities resulted from these encounters.
The expansion of Sybaris certainly had a significant impact on the indigenous communities living in the area, but we do not know to what extent. Scholarly literature suggests that Torre Mordillo and other nearby sites were subject to violent conquest by Greek colonists, which led to the widespread destruction, abandonment, or conquest of the indigenous centers in favor of Sybaris’ needs. However, the archaeological record documents a period of continuity rather than a hiatus, thanks to recent studies in the area (e.g., Francavilla Marittima), that are re-considering the whole colonizing phenomenon.
Nevertheless, the relationship between Greeks and indigenous is yet to be clearly understood, and Torre Mordillo is the best case study to investigate the problem because no systematic archaeological investigations have ever been conducted on this site.
This paper gives an overview of the survey campaign undertaken by Mount Allison University in the Spring of 2023 and discusses the project’s future goals and research perspectives.
The expansion of Sybaris certainly had a significant impact on the indigenous communities living in the area, but we do not know to what extent. Scholarly literature suggests that Torre Mordillo and other nearby sites were subject to violent conquest by Greek colonists, which led to the widespread destruction, abandonment, or conquest of the indigenous centers in favor of Sybaris’ needs. However, the archaeological record documents a period of continuity rather than a hiatus, thanks to recent studies in the area (e.g., Francavilla Marittima), that are re-considering the whole colonizing phenomenon.
Nevertheless, the relationship between Greeks and indigenous is yet to be clearly understood, and Torre Mordillo is the best case study to investigate the problem because no systematic archaeological investigations have ever been conducted on this site.
This paper gives an overview of the survey campaign undertaken by Mount Allison University in the Spring of 2023 and discusses the project’s future goals and research perspectives.
Research Interests:
This paper is part of a broader research project that aims to analyze the development of socio-economic complexity in Rome and Latium between the 8th and 6th centuries BCE through the lens of pottery production, using both traditional... more
This paper is part of a broader research project that aims to analyze the development of socio-economic complexity in Rome and Latium between the 8th and 6th centuries BCE through the lens of pottery production, using both traditional archaeological methods and archaeometry. I will focus on the results provided by the application of Neutron Activation Analysis (NAA), to 230 pottery samples from sites in Rome (Sant’Omobono, Regia, Forum of Caesar), Gabii, and San Giovenale. The samples include both Coarse Ware (e.g., Impasto Bruno, Impasto Chiaro-Sabbioso) and Fine Wares (Bucchero, Etrusco-Corinthian), which were carefully selected to incorporate similar shapes and types attested across all sites.
The technique has never been employed to characterize the geochemical composition of Archaic pottery production, but can be fruitfully used to test the validity of current typological classifications. In fact, the preliminary results of the NAA testing have demonstrated that there is a significant overlap in fabric composition between different pottery classes. NAA allows going beyond using comparanda as in the traditional typological approach, since fabric analysis would be warranted to identify workshops and shared technological choices for shapes or series occurring across the investigated sites, thus providing a more robust framework to reveal patterns of local production and trade.
Overall, the study is an opportunity to reconsider previous scholarship on the relationship between society and craftsmanship in Archaic Latium and Etruria. The data elucidate issues of wealth accumulation, exploitation of natural resources, technological innovation, craft specialization, and exchange networks, thus offering a point of entry into understanding broader transformations in both social structures and economic performance in those regions.
The technique has never been employed to characterize the geochemical composition of Archaic pottery production, but can be fruitfully used to test the validity of current typological classifications. In fact, the preliminary results of the NAA testing have demonstrated that there is a significant overlap in fabric composition between different pottery classes. NAA allows going beyond using comparanda as in the traditional typological approach, since fabric analysis would be warranted to identify workshops and shared technological choices for shapes or series occurring across the investigated sites, thus providing a more robust framework to reveal patterns of local production and trade.
Overall, the study is an opportunity to reconsider previous scholarship on the relationship between society and craftsmanship in Archaic Latium and Etruria. The data elucidate issues of wealth accumulation, exploitation of natural resources, technological innovation, craft specialization, and exchange networks, thus offering a point of entry into understanding broader transformations in both social structures and economic performance in those regions.
Research Interests:
Between the 8th and the 6th centuries BCE, Latium and Etruria experienced a period of technological innovation and expansion of wealth. Rich grave good assemblages, indicators of urban formation, and growing processes for... more
Between the 8th and the 6th centuries BCE, Latium and Etruria experienced a period of technological innovation and expansion of wealth. Rich grave good assemblages, indicators of urban formation, and growing processes for monumentalization are clear evidence of this. It is also a period of innovations in pottery production such as the wheel and new pottery classes. However, in pre-Roman Central Tyrrhenian Italy, the degree of specialization in ceramic production is still debated. According to Carafa (1995), major changes in the craft production occur around Rome’s traditional foundation date. He interprets these trends toward standardization as a sign of specialized workshops, correlating them with the new system of political establishment. Instead, Nijboer (1997), who examines the kilns and final products of different central Tyrrhenian Italy sites (e.g., Murlo, Acquarossa, and Satricum), argues that small-scale workshops remained the predominant production model throughout the 7th century BCE. Only starting with the 6th century BCE, the degree of specialization changes, linked to political stabilization and the process of urban formation. Brandt (2001), analyzing the case of Ficana, offers the intermediate position that in the most ancient phases of the site, specialized and small-scale productions coexist.
In this paper, I will analyze the archaeological indicators suggesting a correlation with degrees of specialization in pottery production through the lens of the development of socio-economic complexity of the region. The paper is part of a broader dissertation project that analyzes the relationship between pottery production and social complexity in Archaic Rome and Latium.
In this paper, I will analyze the archaeological indicators suggesting a correlation with degrees of specialization in pottery production through the lens of the development of socio-economic complexity of the region. The paper is part of a broader dissertation project that analyzes the relationship between pottery production and social complexity in Archaic Rome and Latium.
Research Interests:
The use of objects in miniaturized forms is a widespread practice in the ancient world, which simultaneously are contextualized in two areas - funerary and cultual - that are more connoted from the ritual point of view. The funerary grave... more
The use of objects in miniaturized forms is a widespread practice in the ancient world, which simultaneously are contextualized in two areas - funerary and cultual - that are more connoted from the ritual point of view. The funerary grave goods in the Iron Age return models of real objects with a strong symbolic value that serves to connote the social status of the deceased. These are spears, swords and miniature shields that allude to the ideology of the chief-warrior; all contained within the cinerary urns that represent small-scale huts.
Also noteworthy are the miniature pottery vessels that are notoriously some of the most common findings in the cultural contexts of the Etruscan, Latin and Greek. It is clear that these objects could be used as containers of reduced quantities of food or liquid to offer to the divinity, but probably they could also possess a marked symbolic value, representing in themselves the ritual meals and the libations that the faithful performed in the sanctuaries.
Just this last meaning is evident for a class of finds, terracotta votive breads (in Italian “focacce”), frequently attested from the Iron Age in Latium.
They are small pottery objects, with a circular shape, with different diameters and thicknesses, distinguished by digital impressions in variable numbers on the upper surface. These objects, found above all in the votive deposits, were interpreted as votive offerings that allegorically reproduce breads of cereals, particularly spelled. After all, the preparation of spelled breads, called liba, to be used for ritual use, is well attested by ancient literary sources, and can be found in the popular traditions of modern and contemporary Italy.
Other interpretations provide that the same breads were used as containers for offers to be presented to the gods, for the discovery of the remains of bronze rings or traces of oil combustion.
Starting from an archaeological study that includes a census of the focacce and the topographical positioning of the finds, I will proceed to a first typological subdivision of the same. Thus a broader framework of knowledge will be produced which will give rise to the possibility of advancing functional and ritual interpretations.
Also noteworthy are the miniature pottery vessels that are notoriously some of the most common findings in the cultural contexts of the Etruscan, Latin and Greek. It is clear that these objects could be used as containers of reduced quantities of food or liquid to offer to the divinity, but probably they could also possess a marked symbolic value, representing in themselves the ritual meals and the libations that the faithful performed in the sanctuaries.
Just this last meaning is evident for a class of finds, terracotta votive breads (in Italian “focacce”), frequently attested from the Iron Age in Latium.
They are small pottery objects, with a circular shape, with different diameters and thicknesses, distinguished by digital impressions in variable numbers on the upper surface. These objects, found above all in the votive deposits, were interpreted as votive offerings that allegorically reproduce breads of cereals, particularly spelled. After all, the preparation of spelled breads, called liba, to be used for ritual use, is well attested by ancient literary sources, and can be found in the popular traditions of modern and contemporary Italy.
Other interpretations provide that the same breads were used as containers for offers to be presented to the gods, for the discovery of the remains of bronze rings or traces of oil combustion.
Starting from an archaeological study that includes a census of the focacce and the topographical positioning of the finds, I will proceed to a first typological subdivision of the same. Thus a broader framework of knowledge will be produced which will give rise to the possibility of advancing functional and ritual interpretations.
Research Interests:
The Etruscan civilization was famous for many things, among than the production of a particular ceramics class, the bucchero, and for being a civilization particularly linked to the magical and religious world, demonstrated by their... more
The Etruscan civilization was famous for many things, among than the production of a particular ceramics class, the bucchero, and for being a civilization particularly linked to the magical and religious world, demonstrated by their artistic expressions, such as the frescoes painted in the graves. The kyathos, is shape for drinking or mixing wine, linked to the symposia and funerary world, being one of the most frequent forms found in the tombs. The exact origin of the specimen examined does not know, but, in all probability, it has been found inside a burial, as shown by the direct comparanda and the state of conservation, as is known, almost all the objects intact in the archaeological record come from funerary contexts. Moreover, the kyathos presents a very interesting decoration, especially on the handle, on which a human figure is recognized in relief, in profile, on the way.
Starting from all these premises, the goal of the paper is to analyze the artefact both from the technological and typological point of view, to try to identify its origin, but also from the stylistic and iconographic point of view, in an attempt to interpret the ideological and symbolic message, if present, of the decorative motif.
Starting from all these premises, the goal of the paper is to analyze the artefact both from the technological and typological point of view, to try to identify its origin, but also from the stylistic and iconographic point of view, in an attempt to interpret the ideological and symbolic message, if present, of the decorative motif.
Research Interests:
In recent years the archaeological literature concerning ceramic production in Rome and Latium during the Orientalizing and Archaic periods has flourished, helping to update our knowledge regarding the technical, typological, and... more
In recent years the archaeological literature concerning ceramic production in Rome and Latium during the Orientalizing and Archaic periods has flourished, helping to update our knowledge regarding the technical, typological, and chronological aspects of the ceramic repertoire from these periods. This paper, following in this recent tradition, presents a study of the pottery found in the excavations
of the Regia in the Roman Forum during the mid 20th century: in particular, attention is focused on impasto production—namely, impasto rosso, impasto rosso-bruno, impasto chiaro-sabbioso, internal/external slip ware—and the production of bucchero, during the chronological span ranging from the Orientalizing period to the Late Archaic. My paper uses a morphological and chronological approach and defines the formal development of the analyzed ceramics classes; it also proposes a preliminary typology. I furthermore provide references to the distribution of the examined materials within the different areas of the excavation, providing preliminary quantitative estimates for ceramic finds across the site during the relevant periods. All of my findings regarding the ceramics are analyzed in relation to their stratigraphic
context and their association with other material classes.
of the Regia in the Roman Forum during the mid 20th century: in particular, attention is focused on impasto production—namely, impasto rosso, impasto rosso-bruno, impasto chiaro-sabbioso, internal/external slip ware—and the production of bucchero, during the chronological span ranging from the Orientalizing period to the Late Archaic. My paper uses a morphological and chronological approach and defines the formal development of the analyzed ceramics classes; it also proposes a preliminary typology. I furthermore provide references to the distribution of the examined materials within the different areas of the excavation, providing preliminary quantitative estimates for ceramic finds across the site during the relevant periods. All of my findings regarding the ceramics are analyzed in relation to their stratigraphic
context and their association with other material classes.
Research Interests:
Research Interests:
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Poster Presented at the “121th Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies, Washington, DC, 2-5 January 2020. "New Evidence from the Bronze Age at Gabii" The Bronze Age at the site of... more
Poster Presented at the “121th Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies, Washington, DC, 2-5 January 2020.
"New Evidence from the Bronze Age at Gabii"
The Bronze Age at the site of Gabii is obscure compared to the other periods. There is much archaeological evidence from the Iron Age to the Roman period that allows for a relatively comprehensive reconstruction of the site, but the situation for the earliest phases is completely different. So far, for the Bronze Age, only one site is known, related to a small village on a terrace overlooking Lake Castiglione, dated back to the Middle Bronze Age (fourteenth century B.C.E.). There have been sporadic pottery sherds recovered around the Lake of Castiglione area, and one sherd from the area inside the perimeter of the Archaic town, all dating to the Recent and Final Bronze Age (thirteenth–eleventh centuries B.C.E.). The latter area is where the Gabii Project has been operating since 2007. In the new excavations, some important evidence dated back to the Bronze Age has been recovered, in particular from the Areas C and D, although it unfortunately was found in secondary deposition. In fact, secure stratigraphic contexts dated to this period are still unknown. The goals of the poster are to present the new Bronze Age sherds that have been uncovered from the Gabii Project excavations, and, in light of this new evidence, to offer some new observations on the Bronze Age occupation of the site that would later develop into the city of Gabii.
"New Evidence from the Bronze Age at Gabii"
The Bronze Age at the site of Gabii is obscure compared to the other periods. There is much archaeological evidence from the Iron Age to the Roman period that allows for a relatively comprehensive reconstruction of the site, but the situation for the earliest phases is completely different. So far, for the Bronze Age, only one site is known, related to a small village on a terrace overlooking Lake Castiglione, dated back to the Middle Bronze Age (fourteenth century B.C.E.). There have been sporadic pottery sherds recovered around the Lake of Castiglione area, and one sherd from the area inside the perimeter of the Archaic town, all dating to the Recent and Final Bronze Age (thirteenth–eleventh centuries B.C.E.). The latter area is where the Gabii Project has been operating since 2007. In the new excavations, some important evidence dated back to the Bronze Age has been recovered, in particular from the Areas C and D, although it unfortunately was found in secondary deposition. In fact, secure stratigraphic contexts dated to this period are still unknown. The goals of the poster are to present the new Bronze Age sherds that have been uncovered from the Gabii Project excavations, and, in light of this new evidence, to offer some new observations on the Bronze Age occupation of the site that would later develop into the city of Gabii.
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Poster: "Giornate di studio sulla Media valle del Crati tra passato e presente. Acri 4-5-6 marzo 2015".
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Gabii through its Artefacts brings together 15 papers written by as many scholars on objects from the excavations of the town of Gabii undertaken by three different international teams since 2007: The Gabii Project, which is a primarily... more
Gabii through its Artefacts brings together 15 papers written by as many scholars on objects from the excavations of the town of Gabii undertaken by three different international teams since 2007: The Gabii Project, which is a primarily US-based group of scholars; a team from the Musée du Louvre; and a team from the University of Rome “Tor Vergata” collaborating with the Soprintendenza Speciale per i Beni Archeologici di Roma. The contributions aim to consider artefacts outside the ceramic report and small finds catalogue format in terms of both the wide variety of materials and the possibilities for unique individual stories. Objects ranging from the pre-Roman to Imperial periods are examined using a mix of approaches, making an effort to be sensitive to excavation context and formation processes. Approaches include archaeometric, spatial, and statistical analyses, artefact life history approaches, and archival approaches. Thus, different scales of analysis are also undertaken: in some cases individual objects are focused on, in others whole classes or assemblages. The papers ultimately share the common goal of offering new stories about the inhabitants of Gabii told through their artefacts. Together they enliven the Gabines’ behaviours: their concerns about personal and economic security and status, their productive activities and trade connections to other towns, their aesthetic and ritual concerns, their political affiliations and aspirations.
The book is Open Access: https://www.archaeopress.com/Archaeopress/Products/9781803276045
The book is Open Access: https://www.archaeopress.com/Archaeopress/Products/9781803276045